3-Month Solo & Scale Mastery
For players who can play songs but have never improvised
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Week 0 · Day 1 — Orientation: Why We 'Land on the 3rd' Week 0 · Day 2 — The Blueprint for Every Warm-Up: Alternate Picking & Finger Independence Week 0 · Day 3 — Refresh the Am Pentatonic Box 1 → First Taste of 3rd Intervals Week 0 · Day 4 — Metronome Discipline + Backing Track & Recording Setup + Learning to Hear Yourself
Am Pentatonic Box 1 Review — Chewing It Again With '3rd Intervals,' Not Up-and-Down Adding the 2nd (B) — a Four-Note Run That Passes Through B and Lands on the 3rd (C) Adding the 6th (F) — Resolving Through F to the 5th (E) and the 3rd (C) A Natural Minor Integration Jam — B and F as Color, Landing on C
Intro to Mixolydian + Two Identity Notes: the Tension of ♭7 (G) and the Resolution of the Major 3rd (C#) Mixolydian 4-Note Sequences + Turning Major 3rd Targeting into Muscle Memory Mixolydian Position 2 + Widening the Neck by Connecting Forms (Position Shift) Putting It Together: Targeting the 3rd for Each Chord in an A7-D7 Blues + Connecting the Neck with 3rd Intervals
Mixolydian Switching Over a Blues Backing Track + Sticky Layback Phrasing Dorian Switching Over a Funk Backing Track + Tight Rest-Driven Phrasing Mixolydian Switching Over a Rock Backing Track + Powerful Long Tones & Bold Bends Integration Medley: Switching Both Mode and Phrasing Mood in Real Time with Every Genre Change
Designing Your Original Solo — Chord Progression and Finding Your 'One Home' Position Composing Motifs and Phrases — Toss Out a Line, Then Answer It Finishing the Full Solo and Your First Recording — Stitching 8 Bars into One Self-Feedback and Retakes — Operating on Your Own Recording by Ear, Then Recording It Again