Riff

Month 1 — Rhythm: the Body of the Blues · Week 4

Turnaround — the last four bars that tie off the 12

about 50 min

Theory

Week 4 at last — the final week of Month 1. Starting today you learn the turnaroundthe last four bars that loop the tune back to the very top. You've built the A7, D7, and E7 boogies one at a time. Today those pieces link into a single loop. The turnaround is what keeps the 12 bars circling without a break.

The turnaround is really V-IV-I-V. In A blues, V is E7, IV is D7, and I is A7, so the last four bars flow E7 → D7 → A7 → E7. The first three chords come home, then the final E7 opens the door again into the next lap. That last single chord doesn't end the tune — it waves "one more time!"

The technique is already in your hands. There's not a single new shape. Take the boogie riff from Weeks 1–2, move only the root string for each chord, and that's the turnaround. Just remember that E7's root is the 6th string, D7's the 4th, and A7's the 5th. Today, don't chase speed — aim only for the four bars connecting smoothly. Four weeks ago even one chord felt like a stretch; now you're weaving four chords into one flow.

Let's hear the flow with just the chords first. One chord per bar, in whole notes.

= 80Swing 8ths1E7D7A70201000212020204E7020100
Turnaround chords V-IV-I-V

BPM 80, shuffle. One chord per bar — ring E7 → D7 → A7 → E7 in whole notes. Listen for that last E7 pulling back to the top.

See it

Now let's walk those four bars as a boogie riff. Only the chord changes; the walking shape stays the same every time.

= 80Swing 8ths1020405040204050430204050402040504
Turnaround boogie E7-D7-A7-E7

BPM 80, shuffle. E7 (6th string)-D7 (4th string)-A7 (5th string)-E7. The same boogie shape just shifts seats from chord to chord.

Start slowly and check with your foot that the shuffle doesn't wobble even at the moment the chord changes.

Today's practice

0–10 min · Warm-up BPM 65. Warm your hand with one bar of the E7 boogie. Check with your foot that the long-short shuffle is alive.

= 65Swing 8ths102040504
E7 boogie warmup — 1 bar

BPM 65, shuffle. One bar of E7 boogie. Over the 6th-string root, walk 5→6→b7→6.

Now connect the two bars that move from home (A7) to the V (E7) that reopens the door.

= 80Swing 8ths10204050402040504
A7 to E7 — I pulls to V

BPM 80, shuffle. Bar 1 A7, bar 2 E7. Moving from I to V, feel the pull into the next lap.

10–20 min · Brain training (today's target = the turnaround order) In your head, say the order E7 → D7 → A7 → E7 out loud. Picture the root string moving 6→4→5→6.

20–40 min · Real turnaround (BPM 80) Repeat the four-bar turnaround without a break. Listen for whether the last E7 pulls into the next bar.

40–50 min · Recording / self-feedback (recommended) Record the four-bar turnaround: is the shuffle alive even as the chords change.

Today's completion criteria: You can pass through the four-bar turnaround (E7-D7-A7-E7) with a shuffle, without a break.

Here are the common mistakes in the turnaround. Drop the last E7 and the tune won't carry into the next lap.

12345eBGDAER25b7135R
E7 — the V that turns it around

The last E7 is the knot. This V chord loops the tune back to the start. The open E on the 6th string is the root.

  • You mix up the D7 and A7 order. After IV (D7) comes I (A7). Recite the V-IV-I-V order out loud.
  • You end the last E7 on A7. The tune isn't over yet. There's another lap, so leave it open on E7.
  • The chord change is late. Picture the next chord's root string one beat early.
  • The shuffle flattens. Focusing on chord changes evens out the long-short. Keep stomping the beat with your foot.